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Modeling Masonry Coursing (Part 3)

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By Jim Mahoney   Share Share

Part 3 of 3 on modeling masonry coursing in ArchiCAD will cover working in Section. Part 1 started off with a basic wall which had one texture per side and we looked at aligning the textures of this simple wall. Different projects and budgets will often decide how far you need to take things to get the level of detail needed. Part 2 covered using the Profile Manager to create a wall with multiple materials and a simple projecting profile on one side. It also briefly covered using a Solid Element Operation to insert a precast masonry accent panel into the wall.

View Part 1 Here

View Part 2 Here


PART 3:

Big Picture

We need to discuss some big picture items here before we get under way. The first thing is the level of detail that you take your 3D model to. Time is money and you need to put the work in your 3D model where you are going to get most bang for your buck.  If you have a tight budget it might make more sense to limit the amount of 3D work that you do in the model. You might want to take the level of detail on the outside to the level where you can get complete exterior elevations from the model. As for interior elevations you might want to just put in the interior walls and doors and windows and finish the rest in 2D. If there is an area like a public lobby that you will want to take some 3D views of, then you can model this area in a more detailed fashion in 3D. Then your 2D interior elevations of the lobby get the benefit of this additional work in the process. In terms of additional details I usually try to model the floors and ceilings in 3D too. It doesn’t take much more additional work to make a ceiling using the Slab Tool vs the 2D Fill Tool and now your sections are closer to the mark. I also try to get the major structural elements modeled in 3D. Or if you are going to be getting a lot of sections or details out of one particular area of the building, then it makes sense to start putting the extra level of 3D detail there first since it will show up in multiple views

Ultimately unless it is a no budget project, there is a certain level of detail I like to get in my model so I get as much out of it as I can.

That minimum ideal level of 3D detail I like to use is:
  • An accurately modeled exterior. The Exterior Elevations are made into a drawing. But the plan is they will be updated from the model throughout the project.
  • Accurately modeled Kitchens and Bathroom where the Interior Elevations are made into a drawing, but once again the plan is they are will be updated from the model throughout the project.
  • Floors, ceilings and major structural elements are in place in 3D. I use composite walls for the wall types since they help starting the sections and details. Remember you can always use Model View Options to hide the skins of the composites in drawing where you don’t want to see them.
  • Whole building sections will be created from from the model. They are generally at the same scale, or one scale less than the floor plans. They will be turned into drawings and Model View Options will be used to turn the walls solid. The full building sections will be updated from the model throughout the project.
  • Any sections, such as wall sections, at a scale larger than the floor plan’s scale are taken from the model. They are turned into a drawing and normally do not get directly updated from the model again.
  • Details are taken from the plan or larger scale wall sections. They are turned into a drawing and normally do not get directly updated from the model again.
Now if the budget permits, I’ll start adding 3D trim inside the building or otherwise start upping the level of 3D detail. But let’s start with a masonry building modeled as described above.


Building Sections

Generally the whole building sections are done at the same scale as the plan, usually 1/8” or 1/4” scale. The model I have created has 3D floors, ceilings & structural members in it. At these scales it makes no sense to put any detail in the walls. You are trying to show major spaces, levels and level changes. The ArchiCAD doors and windows show enough level of detail at this scale. What I do is go into the Model View Options found in the Document Menu>>Model View Options and set the Fill Options to “Override Cut Fills”. This gives you a Building Section with enough level of detail coming from the model to show what is needed for a drawing at this scale. Making the walls solid covers some details at floor/wall joints and head/sill details that may not be accurate. They will be shown accurately in larger scale drawings and there is no reason to get them perfect here.

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Wall Sections

The next step is to go around the building in plan and elevation and identify all of the conditions that are unique and will require a wall section. I generally do my wall sections at 3/4” scale. At that level of detail what comes out of the ArchiCAD model will need some tweaking. The idea here is after the sections are cut they are turned into a drawing that is not intended to be updated from the model from this point forward. Further work is done in this window. I ALWAYS turn any section or elevation or interior elevation drawing that is to be used for a working drawing from a 2-way linked view into a drawing. Drawings can still be updated from the 3D model, but it is now a one-way, not a two-way link. That way if I accidentally delete a line in a section or elevation that is from a 3D wall, I didn’t just take out the north wall of my building in the model. Accidents happen and this is just a safe way to work.

After the wall sections are located and generated, the next step is to put some brick coursing guides in and start adding more detail into the wall section. One of the first things that needs to be done is to remove the general brick fill that came in from the model, and replace it with actual coursing. There are several ways to do this, but the first step is to add coursing marks. We will use 4”x8” nominal brick coursing in our work today.

Now coursing lines can be done with hot spots, but I like to use lines. They are easier to see at certain zoom levels. Having the coursing as lines also helps when I am creating custom fills for the brick. I put these coursing lines on a No_Plot or Layout Lines layer you turn off when you print. One of the things I do with this type of line is use a unique pen for this type item. I use the bright pink Pen 9 only for this purpose. That way if I see pink when it is time to print I know I have to change my layer combinations or I have some layout lines on the wrong layer. The first step is to draw the first line at the level where the vertical coursing starts. Then you select the line and let ArchiCAD’s Multiply dialogue box to help you. With the line selected, go to the Edit Menu>>Move>>Multiply... When the Multiply dialogue box comes up, type “3” copies and “Distribute” for the Vertical Displacement. Hit the “OK” button and begin moving your cursor vertically. Type 8” which should fill in 8” in the “Distance” field of the tracker.  You should be left with three lines 8” apart total.

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With the last three lines selected (do not add the original line to the selection) it is time to run the coursing up the rest of the elevation. Once again go to the Edit Menu>> Move>> Multiply... When the Multiply dialogue box comes up, set “Spread” for the Vertical Displacement and type “8” for Spacing and hit the “OK” button.


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jimtip3.3.4For your starting point select the base line (the one that is not selected) and start moving your cursor vertically. You will begin getting a series of coursing ticks every 8”. Continue pulling the cursor vertically until you reach the top of the masonry wall. When you are done, all but the first 4 elements will be selected. I would suggest selecting the remaining 4 ticks and doing several things: First I would go to the Edit Menu>> Grouping>> Group and Group these items. This will allow you to easily select and move them as a group if needed. Secondly while the items are still selected, I would copy these items. This will allow you to paste these masonry coursing ticks into other wall section drawings you may be working on. Lastly, I would then lock these ticks so you can’t accidentally delete these ticks. Do this by going to the Edit Menu>> Locking>> Lock. At this point you could switch to your other sections and paste in the coursing lines you have in your clipboard. You can add coursing ticks in a similar fashion as required for  any 4” or 8” modular coursing.

Another thing you may want to do is decide how you want to handle your masonry. Depending on the scale of the drawing you may want to make a custom fill that shows the brick coursing in it’s entirety or use fills for the individual bricks and arcs for the joints. Let’s look at both. Before we add new fills, we will need to remove the old fills. Here is the way to use Find and Select to help you do this. Step 1 is to select a sample of the fill you wish to remove. Make sure Grouping is suspended so you don’t unintentionally select any other items when you select a brick sample. With a brick sample selected, go to the Edit Menu>> Find and Select.... This brings up the Find and Select Dialogue Box. Step one is to click on the button just above the “+” button, as seen in the picture below right.
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It sets Find and Select to use the settings of the item you’ve selected, in this case that particular type of brick fill. The dialogue box is set to use Fills as the tool type. All that needs to be done here is to add another setting for the Fill Name. Now that this is done we are ready to hit the “+”. Now all of the brick fills of this name in this drawing are selected.

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jimtip3.3.9Take a quick look to see that the right fills and only the right fills are selected. Then hit Delete to remove the fills. The masonry fill should now be deleted. In the picture below you can see the brick veneer on the right side has been emptied out on multiple stories. Repeat as necessary for any other fills you wish to remove, such as the steel symbol where the steel studs and insulation need to go.

Once you have made way for the new brick coursing, it is time to decide what to use. The approach I take is to use a custom symbol fill for the 3/4” scale full wall sections. These drawings are at a small enough scale that you don’t need to show a detail level where things like raked joints need to be shown. These would be difficult to show & use in a symbol fill. For larger scale drawings like 1 1/2” or 3” scale details I use individual fills for each brick and an arc for the raked joint. We’ll see that approach in a bit.

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I have made a sample section of 4”x8” nominal coursing that is 8” tall. I have used pink layout lines to help me establish the coursing and joints. I have made the bricks from 3 fills that are 2 2/3” high x 3 5/8” deep. The guidelines help with drawing the fills to match the exact height of the bricks. As mentioned earlier, this is one reason why I use lines over hotspots to show coursing marks. In addition to the 3 fills, I drew a vertical line on the front and back sides, starting at 0” and extending up 8”. I’ve set it up so 0 is at half a joint and the top falls at half a joint. To create custom the fill I’ve selected the 3 fills and the two vertical lines. Be sure not to select the pink guidelines. Copy the lines, then go to the Options Menu>>Element Attributes>>Fill Types... Press the New button and when the Add New Fill dialogue box comes up select the “Symbol fill” radio button. Name your fill carefully using your office standards, to help make it easy to find again later.

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Next click on the Paste button that appears and a repeating version of your fill should appear in the preview as shown in the picture below. A yellow highlight appears showing a single instance of your fill. You should check that the values under Motif Size and Strokes are appropriate for your fill. In this case 3 5/8” and 8” are the size we are looking for, so we can hit OK to save our changes.

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I also have a second Symbol Fill I made with no hatch. To do this I simply took the 3 brick sample pattern used just now to make the first fill and changed the fill pattern from face brick to an empty fill. Once again copy the elements and create a new symbol fill as before.

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The picture below shows how to use the fill. I have the two fills highlighted to show one of the tricks to using them. To draw the fill, you choose to make a fill with a border and a user defined anchor point. You place the anchor point on the exterior face of the wall in the horizontal direction, and you position it vertically on one of your coursing tick marks. As you can see the brick coursing aligns perfectly. Now there is one more thing you must do. The fill you’ve created goes on forever in all directions. The unhighlighted fill on the right in the picture below shows this. When you make your fill make sure to make it 3 5/8” wide. If you have your anchor point aligned correctly on the face of the wall you should get a border all around the fill. Don’t sweat it if it is slightly cut off, you can always use the Pet Palette to offset that edge of the fill 1/16” of an inch. 

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Large Scale Details

At this point even though there is still work to be done on the wall sections, it is a good time to look at the big picture. There are probably some large scale details that need to be taken from these wall sections. Things such as head and sill details at doors and windows, coping or fascia details, etc. I often don’t take the wall sections any farther at this point. Instead I place detail markers and begin work on the large scale details. This is where you work out some of the technical issue. Often items from these large scale details can be copied and pasted back into the appropriate wall sections, often multiple times. Rather than draw the same detail twice, once at 3/4” scale and then later at 3”, I do it once at 3” where you can work out the issues at an appropriate scale. Then I take information from this detail, group it, and paste at least some of it back into the wall sections. The reason I say “or at least some of it”, is I may leave out items which won’t read well at the smaller scale of the wall section-things like flashing, fasteners, or other tiny bits.

When I open up the detail for the first time, I add in masonry coursing ticks and then lock them in place, just as we did in the wall sections. To get masonry in the larger scale details I start out in a similar fashion to making the custom fill type. Using layout lines to give me the coursing I draw an 8” high sample.

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This time I use arcs to represent the raked joint or lines if appropriate for a v-joint etc. I do not make a custom fill out of these items. Instead I drag a copy or copy and paste these lines and fills into the detail. I then use the Multiply command to make additional copies. I find at the larger scales working this way give me more control and flexibility with things like line weight, joints etc. Plus you usually aren’t dealing with many courses at large scale. In the larger scale details, I will use manufacturers 2D CAD files to replace the ArchiCAD windows. Also I often draw large scale details of the various precast profiles that are grouped together on a sheet. These precast sections can be used in a similar fashion. If I use a fill to draw the precast window sill or head accurately in the 3” scale window details, I can use that same fill and paste it in on my precast details sheet. Once I get the 3” scale window detail drawn, I can select the actual manufacturers window, the new precast head and sill and paste these into the various wall sections. Since the windows are often drawn in part in the large scale details, it may be necessary to paste them in off to one side and fix the breaks in the glass. Then I group the windows, and the head and the sill which makes moving it around as a unit easier. Now the window can be dragged into place and multiplied up or down to other floors.

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The 3/4” scale wall section above shows some of these principles in action. On the left side you can see the coursing ticks, drawn in pink and on a No_Plot layer. This building had a mix of 4” 8” and 12” coursing and the ticks reflect that. The ArchiCAD windows, as well as the precast head and sills have been deleted and replace with the actual manufacturers window, copied from a 3” scale window detail and the actual precast head and sill profiles intended to be used. The bricks immediately below and above the windows were drawn with a custom symbol fill as discussed earlier. 

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The pictures above are from the same wall section blown up. As you can see there is really no sense drawing these items multiple times. You pick the best place to draw it and then re-use it in other drawings and at other scales.


Conclusion

This wraps up our three part serious on Modeling Masonry in ArchiCAD. As you can see you can get quite a bit of masonry detail in the model, so that your elevations and building sections can come primarily from the model and be updated from your model.  When you take your larger scale wall sections from the model you will be well along the way. Creating custom fills for masonry can help you quickly add the coursing into the wall sections. By working smart and leveraging some of your large scale details to use in your wall sections, you can draw many items once at the appropriate scale and then use them multiple times in other drawings. Thinking big picture and planning ahead a bit in ArchiCAD can lead to some great time savings and more accurate drawings-Win Win.

View Part 1 Here

View Part 2 Here

 

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Modeling Masonry Coursing (Part 2)

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By Jim Mahoney   Share Share

This is Part 2 of 3 articles with tips on modeling masonry coursing in ArchiCAD. We started off with a basic wall which had one texture per side and we looked at aligning the textures of this simple wall. Different projects and budgets will often decide how far you need to take things to get the level of detail needed. In Part 2 we will look at using the Profile Manager to create a wall with multiple materials and a simple projecting profile on one side. We will finish by using a Solid Element Operation to insert a precast masonry accent panel into our wall.

View Part 1 Here


PART 2:

While I am not going to repeat the steps here, you need to make sure any of the materials or fills you will need for your wall are part of the project. These steps were covered in Part 1 of this article. The Big Picture is that Profile Manager is a dialogue box that controls the environment within a special ArchiCAD window where you can create profiles for ArchiCAD Walls, Columns or Beams. In the case of profiled walls, these are drawn in a sectional type view using ArchiCAD’s 2D fills to create the various elements of the wall. This assembly of 2D fills is saved from this window and becomes a profiled wall. While the profiled wall can be created from scratch using the Fill Tool to draw the wall, there is an easier way. If you already have an existing ArchiCAD composite wall with similar properties to the wall you plan to create, the task can be greatly simplified. Simply draw a short sample of the wall which is then used to create the profile for the Profile Manager. This is the approach we will take here. Remember that you also can create something from scratch if you don’t have a similar composite wall to start from.


Create the Wall Profile

ArchiCAD Tip
The wall we are going to create is a commercial wall type consisting of brick veneer, air space, rigid insulation, 6” metal studs & 5/8” firecode gypsum wallboard. The base of our profiled wall is a 2’-0” high band of CMU and there will be a projecting precast sill course separating the brick from the CMU. The top of the wall will now have an 8” soldier course. This wall can not be represented with a conventional ArchiCAD wall, but it is easy to do with a profiled wall. We will use a standard ArchiCAD brick veneer / metal stud wall as our starting point. In the picture above I have drawn a short section of this wall. Be sure to set the finish materials correctly as well as the height of the wall. In terms of height, set the height to the lowest height you think you will use. A profiled wall can go higher, but not lower than the height it is drawn at in the Profile Manager.
ArchiCAD tip2.2aArchiCAD tip2.2b 
Next select the sample wall and go to the Design Menu>>Complex Profiles>>Capture Profile of Selection menu item.
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A new window called Custom Profile - Profile Editor will open up. In this window you will see a section cut of your wall. All of the elements of the wall have been converted into 2D fills. When working in this environment Fills and ONLY Fills will get converted back into 3D wall elements when you save out the wall. Any 2D lines you draw in this window are for guide line purposes only. You will also see a pair of dashed horizontal and vertical lines and a pair of solid orange vertical lines, whose purpose we will cover momentary. For now don’t disturb these 3 pairs of lines. We will begin to edit the wall fill for the brick veneer to make way for the 3 new masonry elements: the CMU base, precast trim & brick soldier course.

 
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Let’s start with the 24” high CMU base. The first step is to roll the fill for the brick veneer up 24”. It is just like editing any other 2D fill, select the fill and click on the edge you want to offset and use the “Offset Edge”  icon on the “Pet Palette”. We type in 2 for the Distance value and hit enter. The base of the brick should now be at 2’ above the base.
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Next we draw a fill representing the CMU base of the wall. It is just like drawing any other ArchiCAD 2D fill. Set the fill you wish to use, the pens etc. For a layer choose the “Construction Layer” if isn’t already chosen for you. The completed fill is shown in the picture above right.

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With the CMU in place, the next step is to roll the fill for the brick veneer up 2 more brick courses to  make way for the precast accent band. We click on the edge you want to offset and use the “Offset Edge”  icon on the “Pet Palette”. We type in 5 2/3” for the Distance value and hit enter.

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Once again we set up the Fill Tool to create a fill that looks like precast concrete. To draw the shape first draw the fill in the hole left when we offset the brick veneer. Next select the fill and offset the edge 1” off of the face of the brick as shown above right.

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Click and hold on the top right node and click on the “Fillet/Chamfer” icon on the top row of the “Pet Palette”. When the Fillet/Chamfer Dialogue box comes up, select the “Chamfer” radio button and enter in 1” as the value’

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The precast sill is now complete. We will now zoom in to the top of the wall to add an 8” soldier course.
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As before, we offset the brick running bond 8” to make way for the soldier course. Then we go into the Fill Tool and select the 2D fill we wish to use. In this case I switched to a different brick fill pattern so the soldier course is shown as a different fill from the running bond brick coursing below. You can see this in the picture above right. The view you are seeing of this wall is also the way the wall will appear in a Section Window. That is why I am taking the time to use a different fill, so the soldier course will show up as a separate entity in a Section Window.


Setting Our Limits

At this point we are done modifying our wall. The next step is to adjust the three limits ArchiCAD allows you to impose on your wall. They are the Horizontal & Vertical Stretch Limits, as well as the Opening Reference.

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In the picture above you can see “Vertical Stretch” in the  “Design Layers” portion of the Profile Manager dialogue box. Profiled walls have essentially five layers which you can hide or show while working in this environment. “Construction” is intended for the 2D fills used for the walls. “Drafting”  is for user created 2D guidelines. These 2D lines do not show up in any window but this one. “Vertical Stretch” is a pair of lines the user can move to suit the wall created. When the height of the wall is adjusted in ArchiCAD, that adjustment will occur only in the area between the pair of lines. So for my “Vertical Stretch” I adjusted the lines so so that only the height of the running bond portion of the brick wall will be affected. The 2’ CMU base and the 8” soldier course will retain their exact heights if the wall is made taller. It is worth repeating that the height of the profiled wall CAN NOT be less than the height of the wall shown in this window, Our wall is 10’ high and we can make it anything over 10’, but no less. If need be you could use the Marquee Tool to shorten the wall in the Profile Editor window to the lowest height you plan to use.
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The two images above illustrated the horizontal stretch range in action. The wall on the left is our wall at it’s standard 10’ height. The picture on the right is the same wall set to 12’ high. Notice that all of the growth has occurred in the running bond portion where we set the “Vertical Stretch” limit.
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The “Horizontal Stretch” works in a similar fashion and it’s action is seen in the Plan View. In our example seen in the picture above on the right, the “Horizontal Stretch” is set to fall between the studs. So for us if the wall width increases, it will fall entirely in the stud cavity.

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The “Opening Reference Line” allows you to determine where on the wall the plane of door and window openings are placed. This is particularly important for a sloped wall. You can tilt these lines so windows  will follow the sloped plane of the sloped wall. If you make them vertical on a sloped profiled wall, windows & doors will be vertical. In the picture above I have hidden the layers for everything else so only the “Opening Reference Lines” are showing. For our wall they are placed the outer face of the gypsum board on the left and the outer face of the running bond on the right. The accent piece projects 1” beyond the “Opening Reference Line”


Setting Materials

The last step before we use our wall is to set the materials for the new sections of wall that we added. Assuming we set the materials correctly on the sample wall we drew in the 2D Window, any existing sections of wall should be correct. But it never hurts to double check them.

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To set the materials select the fill for the portion of the wall you wish to edit. Click and hold your mouse on the edge of the selected fill that you wish to change. When the “Pet Palette” pops up, select the last icon on the top right row. As shown in the picture above left, the Custom Edge Settings dialogue box should pop up. Set the material, in this case we will use “CMU 16x8” and we want to apply this new setting to “All Edges”. Say OK and we are done with the CMU. In the picture above right we’ve just set the material for the PC accent course to “Concrete-Beige” & “All Edges”. I think you get the idea. We still need to change the soldier course material in the same manner to “04| Soldier Bond” and apply that to“All Edges” . You should quickly check the other materials to see if they are correct.


Setting Components

This is where you tell ArchiCAD whether a piece of the wall is a “Core Element”, “Finish Element” or “Other”. This affects the walls appearance when you do 3D cutaway views, and more importantly how the wall is dimensioned. New to ArchiCAD 13 & 14, you also have the ability to control the origin of the 3D fill pattern. Prior to AC13 the fill’s origin was ArchiCAD’s Global Project Origin. If your brick was off coursing you had to use the “Align 3D Fill” command as discussed in Part 1 of this article. This is a big improvement and allows us to set the brick fill so it aligns with the base of the brick, the CMU with the base of the CMU and the soldier course at the base of the soldier course. This is very handy when you adjust the height of these walls.

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To start we select the PC accent band. Spill open the “Components Selected” portion of the Profile Manager Dialogue Box. We want to set the “Component Type”  to “Other”. This means if we set ArchiCAD’s Dimension Tool to “Dimension to the Core of Composite and Complex Walls”, it will ignore this projecting accent piece and dimension to the face of the running bond walls. If you want to have it skip the Gypsum Wallboard as well you should change it to “Finish”. Make sure the CMU, running bond brick, & soldier course are set to be “Core”. All interior items should also be set to “Core”.

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Next we will adjust the orientation of the various masonry courses so they align with the base of the material and not the project origin. In the example above we have selected the CMU course and in the Profile Manager Dialogue Box we pop up the “Orientation” popup menu and change it from “Project Origin”, to “Element Origin” as seen above. This means that no matter what vertical height we use for the base of the wall, we will always have a full course at the base of the wall. We will need to do this for the running bond and soldier course sections of the wall as well.

Saving the Wall

Now that our work is done we need to save the wall and name it. Then we can start using it.
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ArchiCAD tip2.18b

Before saving the wall use the icons under the “Use With: heading to tell ArchiCAD whether this item is a wall, beam or column. There is no sense having these profiled items showing up in tools they aren’t appropriate for. In this case we will select the wall icon only. Click on the “Store Profile" button as shown above and give it a name that complies with your office standard naming conventions. If you don’t have any now is a good time to start. 

 
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The wall now shows up in the Popup list for “Profiles” both here and in the appropriate section in the Wall Tool. The top picture above shows “Profiled Wall” selected as the wall construction in the Wall Tool. In the “Complex Structure” portion of the Wall Tool parameters we have the list of profiled walls displayed and our wall selected. Notice the list is shorter because only the profiles appropriate for use as a wall are shown. The lower picture is the popup for all of the profiled elements in the Profile Manager, this list is longer because it includes walls plus columns and beams.
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When we last left the Floor Plan, we had a short section of wall selected. Let’s apply our new Profile to this piece. ArchiCAD allows you to take any wall and select it and then apply a new profile to it. As shown above: Make sure the name of the wall you wish to create is showing in the “Choose Profile” popup. Then click on the “Apply to Selection” button.  You will momentarily be switched to the Floor Plan, where you will see the wall change to your profile, and then back to the Profile Editing environment.

Note: This is also how you change existing profiled walls already in your plan. Once a wall is drawn with a profile, it doesn’t change unless you select it and say “Apply to Selection”.


Final Tweaks

First let’s check to see that our dimension work. With the Dimension Tool set to “Dimension to the Core of Composite and Complex Walls” we will dimension the wall.
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As you can see above, because we told ArchiCAD the PC accent course was not a core element, it’s 1” projection was ignored when we dimensioned. The gypsum wallboard was similarly ignored, because it was identified as a “Finish” and not “Core” component of the wall.
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The last thing we must do is select the wall and set its end material. Profiled walls have only one material on the end surface. This is set in the "Model” portion of the Wall Tool dialogue box as shown above. This type of wall typically returns so this is not a big deal. If the wall doesn’t return at the end, you can usually use a “Solid Element Operation”  to simulate a return. We will briefly cover a different type of “Solid Element Operation” in our last section below to add in a precast accent band. 
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ArchiCAD tip2.23c
Now that we have done all of that work let’s see what our wall looks like. I’ve lengthened it to 3 feet in the Floor Plan and lets bring it up in 3D. From left to right above we have the wall in the “AC Internal Engine’s” “Hidden Line” & “Shaded” views, plus a “Lightworks Rendering Engine” Photorendered view. As you can see all of the masonry coursing starts with a full course at the base of each section, so the work we did earlier with the “Orientation” popup paid off. 

One Last Thing

So far everything we have done involved a piece of wall that ran the entire length of the wall. What happens if you have something like a precast accent course that is inserted in various sections of the wall, but is not continuos? For this we can use ArchiCAD’s “Solid Element Operations” which I may call SEO’s as a form of short hand. Lets say we want to insert a 16”x16” precast accent panel at 6’ above the base of the wall

ArchiCAD tip2.24aArchiCAD tip2.24b

The first step is to create the accent piece. For this I will draw a section of wall 16” long x 16” high at 6’-0” above the base of my wall. I set the material to “Concrete-Beige” which is what we used on our other precast. Initially I created the accent piece outside the wall, as seen on the left above. Next I grabbed it by the center and dragged it to the center of my brick wall as shown on the right. At this point you don’t want to leave it like this - 2 walls inside one another. In 3D you may see pieces of both materials displaying where the accent piece is. Section cuts will not display correctly too. Lets use an SEO to correct this. An SEO can be performed from the Floor Plan, 3D or a Section or Elevation Window. Pick whichever is easiest for you to select the elements from.
ArchiCAD tip2.25
As can be seen above the precast band does not display right in the Section Window. Since we’re in here anyway, let’s do our SEO from the Section Window.  
ArchiCAD tip2.26aArchiCAD tip2.26b

First we go to the Design Menu>>Solid Element Operations... which will bring up the Solid Element Operations dialogue box. Next we will select the precast accent piece. In the SEO’s dialogue box we will click to designate this as the “Operator” by clicking on the “Get Operator Elements” button - see the image on the left above. The “Operator” does something to another item(s) called a “Target”. After we have designated the “Operator” Archicad will show there is “1 Operator Elements”. Next we select our wall. This we will designate as a “Target Element”  by clicking on the “Get Target Elements” button - see above right.
ArchiCAD tip2.27
Once the “Target(s)” and “Element(s)” are selected, click on the popup for “Choose an Operation” and select “Subtraction”. The precast piece will remove the brick wall anywhere it overlaps with the brick wall. Click on the “Execute” and the operation will be performed. Notice in the picture above that the precast has removed the brick. This will be true in and Section, Elevation or 3D Window. In the Floor Plan you can use the “Send to Front” command to make sure the precast displays correctly (if you wish to see it) or hide it from view in plan and only display it’s layer in 3D type views. You must keep the “Operators” in your model for the SEO’s to work, but the layer they are on can be hidden if desired.
ArchiCAD tip2.28
Here is our completed wall in 3D with the precast accent piece. This wraps up Part 2 of Modeling Masonry Coursing. As you have seen: There are a number of steps involved in making one of these profiled walls, but they are pretty straight forward. Once you have made a few of these  profiled walls they will go pretty fast. Some people use profiled walls to create molding only type pieces for custom moldings applied over regular walls. Profile’s created in one project can be moved to other projects (or better yet your office template) using ArchiCAD’s Attribute Manager. Believe me once you start using the Profile Manager you will find many uses for it.

View Part 1 Here

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Modeling Masonry Coursing (Part 1)

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By Jim Mahoney   Share Share

This is Part 1 of 3 articles with tips on modeling masonry coursing in ArchiCAD. We will start off with the basics and get into some more advanced methods with parts 2 & 3. Different projects and budgets will often decide how far you need to take things to get the level of detail needed. In this first part we will discuss the basics of getting masonry coursing into your 3D model. Some basic setup is required before you even draw your first wall.

Part 1:

The first step is to go in and check some settings. First go to the Options Menu>>Project Preferences>>Working Units. When the dialog box comes up set Model Unit to 1/64” or the highest tolerance. This doesn’t mean you have to type all your measurements in 64th’s, it just means ArchiCAD will draw with this degree of accuracy before rounding. This is helpful when dealing with masonry which deals with 1/3’s when our units are in multiples of 2. The rounding will be as accurate as possible. Once again you are only drawing this accurately, you set your dimensional preferences elsewhere. This way you can draw in 1/64’s but dimension in 1/8’s or 1/4’s. By the way, this setting is stored in Project Preferences which is unique for each file. To avoid having to do this every time you open a new job, you should set it in the template file you use to start every new job.

Next you need to set each material you plan to use so it has the proper coursing. First let’s look at the materials settings. Go to the Options Menu>>Element Attributes>>Materials...

This will bring up the Materials Dialogue box. Pick your material from the popup list and then note or write down the name of the fill shown under Vectorial Hatching. In this case ”04 | Brick Running Bond”. At this point you may want to change the pen setting for the pen from “Elements Pen” to a fixed pen for all elements using this material. I usually set this to my lightest pen here and that way I don’t have to keep setting it in every element I draw. If you need wall by wall control, leave it set to “Elements Pen”.

Next we need to look at the Texture portion of the dialogue box. As shown below set the Sample popup from “2x2” to “1x1” so you will see a single piece of the texture. This makes the next step easier where we pick the size of the sample. The width is already correct at 8” and all we need to do is adjust the height. Since we are using US modular brick coursing where 3 brick courses occur in 8” of height we need to set the height of the sample to suit. Our sample picture in a 1x1 sample shows 2 bricks. Since one brick course is 8/3 or 2 2/3”, two brick courses equals 5 1/3”. Now I know what you are saying: ArchiCAD doesn’t do 1/3 of an inch. But watch what happens when we type in 5 1/3. After a brief delay ArchiCAD does the math and sets it to 5 21/64”. This is why we earlier set our drawing units to 1/64’s, so we could get as much accuracy as possible. Save these settings and close the dialogue box.


Next we go to the  Fills Dialogue box to check our fill’s spacing. From before we noted the Fill’s name was ”04 | Brick Running Bond”. Go to the Options Menu>>Element Attributes>>Fill Types... When the Fill Type  dialogue box opens up, select the fill you want to edit from the popup at the top of the dialogue. In this case set the spacing to 2 2/3” and after a few seconds the setting will change to 2 43/64” as shown below. Also make sure the radio button next to “Scale with Plan (Model Size)” is checked off. This makes sure the bricks are the same size no matter what the scale. You would use “Scale Independent (Paper Size)” for something like a concrete stipple where it is a symbol and you want the same density regardless of the scale. Change any other fills as required then say OK.

Now lets draw a wall. I am going to draw two walls actually. It is the same corner condition for a wall that stops at 4’-0” above project zero. The only different in the two walls is the base elevation of the walls. One wall is 12” above project zero (left below) and the other is 8” (right below). You will notice the coursing is off on the wall started at 12” and there is a reason for this.

By default ArchiCAD starts all fills or textures for 3D at Project Zero where the global X,Y, & Z values equal zero. If your wall starts at a height that happens to be at a brick course dimension, such as 8”, the bottom of the wall will be on course. If the height of the wall base is not on coursing, such as 12”, the wall will be off coursing. So what are you to do if the coursing is off at the bottom of the wall? The easiest solution is not always possible - that is to set the bottom of the wall to a height that is on coursing. The second solution is ArchiCAD allows you to Align Textures in 3D. You select one or more 3D elements, such as walls, slabs or roofs and the you select a node on on of the elements to serve as an alignment point for the textures on all selected elements. Let’s take a look at this method.

The first step is go to a 3D view that shows al of the elements you need to adjust. Next select the elements. In this case I selected the two left walls whose base was at 12” above project zero, and were therefor off coursing. The next step is to go to the Design Menu>>Align 3D Texture>>Set Origin (above left). At this point you are asked to click on a Node to align the texture(s) to it. You MUST click on a Node or nothing happens. The picture above right shows the texture on the left hand wall’s  corner with the correct vertical alignment. But if you look closely at the corner condition you’ll see I created an impossible condition. I have bricks that are 8” in both directions. You’ll remember I said you must snap to a node. Well right now we don’t have a node 4” off from the corner to snap to. We shall have to fix that.

 
The easiest way to fix that is to insert an empty door or window opening and put one of it’s nodes at the base of the wall 4” off the corner. In the picture on the left above I have inserted the window and placed one of its nodes at a X value of 4” off the corner and it’s Y value at zero. I used this node to align the texture of the side wall and then deleted the window. As you can see in the right picture, the window is deleted and the texture remains aligned to that temporary node created by the window.

So far we have been using the Open GL 3D engine. The coursing will show in the Shaded & Hidden Line modes using the ArchiCAD Internal Engine as well. But initially you may not see the effect. To see coursing using the ArchiCAD Internal Engine, you may need to turn on an effect called Vectorial Hatching.

 

  

To do this go to the View Menu>>3D View Mode>>3D Window Settings... (left above). When the 3D Window Setting Dialogue Box comes up make sure the 3D Engine popup is set to “Internal Engine” and under Effects set Vectorial 3D Hatching to “On”. Then you should see your brick coursing in the Shaded or Hidden Line mode (shown below).

Section, Elevation or Interior Elevation windows can show brick coursing as well. You must go into the dialogue box for the tool you are using and got to the Model Display portion of the Dialogue Box and under Uncut Elements check off “Vectorial 3D Hatching” and you will get the effect in these drawing windows as well. You can also use the Align 3D Texture command in that window, but it is a more limited experience in terms of what you can do.

One last note: Vectorial Hatching can be a real memory and time hog, particularly on big models. I only turn it on in Sections, Elevations & Interior Elevations where I really need to see the coursing. The same goes for 3D. I often use the Hidden Line mode in the 3D Window because it is the best way to see if my stacked 3D walls are cleaning up. But I only show the coursing if and when I need it.

This article showed a simple and straight forward brick wall. The next article in this series will show what to do to create more complex walls with items like soldier courses or inlaid accent pieces.

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Using Gravity

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By Jim Mahoney   Share Share

Gravity was introduced about 8 versions of ArchiCAD ago, and while it is still in there it
seems to be a well kept secret. This tip will show a couple typical uses for Gravity. First to
use Gravity, you need to know where it is. It is found on the Standard Toolbar. Go to the
Window Menu>>Toolbars>>Standard to activate the Standard Toolbar. On the Standard
Toolbar the Gravity button looks like a rubber stamp. Clicking on the little down arrow to
the right of the Gravity button brings up a menu you must set to use Gravity in
conjunction with one of three tools. Gravity works with Roofs, Slabs or Meshes.

Gravity Tip
So what is a practical use for this tool? I probably use it the most together with Meshes to
show the levels of contour lines or spot elevations. Turn on Gravity to Mesh and then click
on a contour line to add the elevation of that contour. Clicking anywhere in open space
will give the spot elevation of that point.

ArchiCAD Gravity Tip
If you look at the plan above you will see a couple circles representing 2D/3D tree
objects. By having gravity on when you place objects, the insertion point will be placed at
the exactly correct elevation above the mesh. The picture on the right above shows the
trees correctly placed on the steep hill. Note: If the objects elevation is set to something
other than 0, say 3’, the object will then be placed +3’ above the mesh at your insertion
point. So check the insertion elevation of your objects before placing.

ArchiCAD Gravity Tip
Another common use I find for Gravity is to dimension levels in a parking garage for the
various levels and ramps. In the example above I am showing a handicapped ramp using
slabs & a roof. I used the Level Dimension tool in conjunction with Gravity to Slab &
Gravity to Roof to place the spot elevations. I’ve labelled which Gravity settings I used to
get the results. Just remember to turn Gravity on or the Level Dimension tool will show the
same elevation everywhere which will represent the level of the story you are working on.

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Measuring Distance With Element Info Palette

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By Jim Mahoney   Share Share

There is a under used palette in ArchiCAD which can put a wealth of information at your fingertips. If you go to the Window Menu>>Palettes>> Element Information, it brings up the “Element Information” palette. This palette can provide information about either the last item you currently have selected or all items selected. There are 6 buttons on the palettes that act as a filter for the information you wish to display. That information includes the element’s properties, size, area, height, surface area or volume. Some of the choices, such as area, don’t apply to 2D items like lines.

So what is a practical use for this palette? I use it all the time to calculate travel distances to exits for code review. On most of the commercial work I do, I create an Egress Plan that shows the travel distances from all the applicable rooms and spaces to their two exits. To create the egress plan I use a polyline set to a heavy pen weight. I set the start point of the line to a show an arrowhead in the form of a large dot and I draw the polyline along the path of egress travel. At the exit out of the building I use a fill to create an arrowhead to represent the travel direction. Select the appropriate polyline and the travel length will be listed. I often put the two travel distance figure as a text box. These egress plans really seem to help the building officials understand your design and see that it meets the egress requirements.

 ArchiCAD  Tip

 

Bring up the Element Info palette and use it with both 2D & 3D elements to see what kind of uses you can put it to in your practice.

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